![]() ‘J’en mets, j’en mets, j’en mets.’ ” I put in, I put in, I put in. ![]() ![]() “Well, you can’t say there’s a problem with Après l’Ondee, but… bon, voila: They were too opulent, these Guerlain in the baroque, super-charged tradition of voluptuousness. “The problem,” he started and then immediately checked himself. He began his perfume by intellectually reconceptualization the great Guerlain classic Après l’Ondee. Ellena’s approach to the construction of L’Eau d’Hiver reveales the technical and intellectual approach he had at this point in his career evolved. ![]() At the time Hermès began courting him to become its in-house perfumer, Ellena was just completing a perfume called L’Eau d’Hiver, the third (and, given his entry into Hermès, obligatorily the last) of a trilogy of perfumes he’d made for an exquisite, in fact all-but-revolutionary niche collection, Editions de Parfums run by a scent impresario named Frédéric Malle. ![]()
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